[P]ictures of the dead and massacred turn into an ad for the war. It doesn’t matter that these people have names: TV translates them into its cool language, the naked image. The camera disembowels images of their psychological content to create information.
(Uit: Semezdin Mehmedinović, Sarajevo Blues (orig. , vert. Ammiel Alcalay). San Francisco: City Lights Books, 1998, 83)